Purchasing Artwork

5"x7" Micron pen, collage, colored pencil, gouache & watercolor on paper. Yes, okay, the title does reference an Over the Rhine album of which also has two horses upon it. Postcard used in the image is from the early 20th century and is the interior of a church. And the nurse is doing her job. (-:

This work of art is in a custom made wood, archival frame, that measures 11 1/2”x 13 1/2” x 1 1/4.” The finished work is framed in a “floating” technique that I prefer (as it shows off the edges of the paper), and is mounted on archival foam core that is covered with a white Damask cotton fabric with a light pattern upon it. There is approximately 2 1/2” of space around the artwork.

This work is an “Ontological Mooring” which was part of an ongoing art practice about kinesthetic knowing that was begun in May of 2016. The term is what philosophers would refer to as the appreciation of and a response to what is real right here and now. In a world that is so often dissociated from the present, these works are a centering act of being in the moment.

Price includes shipping.

5"x7" Micron pen, collage, colored pencil, gouache & watercolor on paper. Image is of the interior of Hohen Salzburg fortress's cafe, view of mountains and roofs outside my hotel window, collage - doily from Italian restaurant, cut up postcard from Neue Pinakothek Munich and paper bag. May 16, 2016

This work of art is in a custom made wood, archival frame, that measures 11 1/2”x 13 1/2” x 1 1/4.” The finished work is framed in a “floating” technique that I prefer (as it shows off the edges of the paper), and is mounted on archival foam core that is covered with a white Damask cotton fabric with a light pattern upon it. There is approximately 2 1/2” of space around the artwork.

This work is an “Ontological Mooring” which was part of an an ongoing art practice about kinesthetic knowing that was begun in May of 2016. The term is what philosophers would refer to as the appreciation of and a response to what is real right here and now. In a world that is so often dissociated from the present, these works are a centering act of being in the moment.

5"x7" Micron pen, collage, colored pencil, gouache & watercolor on paper.

This work of art is in a custom made wood, archival frame and mat. The outside of the frame measures 11 1/2”x 13 1/2” x 1 1/4.”

The image of the boy is drawn from a painting of a scullery boy from the 18th century. The work is reflecting on potential, or the lack there of; by choice, actions or nature.

This work is an “Ontological Mooring” which was part of an an ongoing art practice about kinesthetic knowing that was begun in May of 2016. The term is what philosophers would refer to as the appreciation of and a response to what is real right here and now. In a world that is so often dissociated from the present, these works are a centering act of being in the moment.

5"x7" Micron pen, collage, colored pencil, gouache & watercolor on paper. Figure made out of landscape postcards from the early 20th century, bird imagery in back is from a medieval image of a Phoenix bird going through its process of transforming. Butterflies drawn from a collection in the Biology department of GFU.

This original work of art is in a custom made wood, archival frame, that measures 11 1/2”x 13 1/2” x 1 1/4.” The finished work is framed in a “floating” technique that I prefer (as it shows off the edges of the paper), and is mounted on archival foam core that is covered with a white Damask cotton fabric with a light pattern upon it. There is approximately 2 1/2” of space around the artwork.

This work is an “Ontological Mooring” which was part of an an ongoing art practice about kinesthetic knowing that was begun in May of 2016. The term is what philosophers would refer to as the appreciation of and a response to what is real right here and now. In a world that is so often dissociated from the present, these works are a centering act of being in the moment.

5"x7" Micron pen, collage, colored pencil, gouache & watercolor on paper. The Dog is a from a wood carving in Edinburough Cathedral, St. Ignatius figure is from St. Anne's church in Washington D.C., Interior is from an exhibition at the Renwick Gallery in D.C., the collage material are certificates. 2017

This work of art is in a custom made wood, archival frame, that measures 11 1/2”x 13 1/2” x 1 1/4.” The finished work is framed in a “floating” technique that I prefer (as it shows off the edges of the paper), and is mounted on archival foam core that is covered with a white Damask cotton fabric with a light pattern upon it. There is approximately 2 1/2” of space around the artwork.

This work is an “Ontological Mooring” which was part of an an ongoing art practice about kinesthetic knowing that was begun in May of 2016. The term is what philosophers would refer to as the appreciation of and a response to what is real right here and now. In a world that is so often dissociated from the present, these works are a centering act of being in the moment.

5"x7" Micron pen, collage, colored pencil, gouache & watercolor on paper. Postcard of Lonfellow’s home used is from the 1920's, and dog and curtain are from a painting in Innsbruck Austria. November, 2017.

This work of art is in a custom made wood, archival frame, that measures 11 1/2”x 13 1/2” x 1 1/4.” The finished work is framed in a “floating” technique that I prefer (as it shows off the edges of the paper), and is mounted on archival foam core that is covered with a white Damask cotton fabric with a light pattern upon it. There is approximately 2 1/2” of space around the artwork.

This work is an “Ontological Mooring” which was part of an an ongoing art practice about kinesthetic knowing that was begun in May of 2016. The term is what philosophers would refer to as the appreciation of and a response to what is real right here and now. In a world that is so often dissociated from the present, these works are a centering act of being in the moment.

5"x7" Micron pen, collage, colored pencil, gouache & watercolor on paper. This original work of art was inspired by the “Creation Tapestry” in Girona Spain when visiting it in May of 2019. It is in a custom made wood, archival frame, that measures 11 1/2”x 13 1/2” x 1 1/4.” The finished work is framed in a “floating” technique that I prefer (as it shows off the edges of the paper), and is mounted on archival foam core that is covered with a white Damask cotton fabric with a light pattern upon it. There is approximately 2 1/2” of space around the artwork.

This work is an “Ontological Mooring” which was part of an an ongoing art practice about kinesthetic knowing that was begun in May of 2016. The term is what philosophers would refer to as the appreciation of and a response to what is real right here and now. In a world that is so often dissociated from the present, these works are a centering act of being in the moment.

5"x7" Micron pen, collage, colored pencil, gouache & watercolor on paper. This original work of art was created in Santa Fe New Mexico in 2018 and inspired by medieval carvings/church architecture and Nice France. The work of art is in a custom made wood, archival frame, that measures 11 1/2”x 13 1/2” x 1 1/4.” The finished work is framed in a “floating” technique that I prefer (as it shows off the edges of the paper), and is mounted on archival foam core that is covered with a white Damask cotton fabric with a light pattern upon it. There is approximately 2 1/2” of space around the artwork.

This work is an “Ontological Mooring” which was part of an an ongoing art practice about kinesthetic knowing that was begun in May of 2016. The term is what philosophers would refer to as the appreciation of and a response to what is real right here and now. In a world that is so often dissociated from the present, these works are a centering act of being in the moment.

Price includes shipping.

5"x7" Micron pen, collage, colored pencil, gouache & watercolor on paper. This original work of art is in a custom made wood, archival frame, that measures 11 1/2”x 13 1/2” x 1 1/4.” The finished work is framed in an archival mat. There is approximately 2 1/2” of space around the artwork.

This work is an “Ontological Mooring” which was part of an an ongoing art practice about kinesthetic knowing that was begun in May of 2016. The term is what philosophers would refer to as the appreciation of and a response to what is real right here and now. In a world that is so often dissociated from the present, these works are a centering act of being in the moment.

Price includes shipping.

5"x7" Micron pen, collage, colored pencil, gouache & watercolor on paper. This original work of art was created in Ireland in May of 2017. The Dog was bought in Althlone, and the collaged figure is made out of a found phone number list, cookie box and church program. The tree from Hodsen Bay Resort.

It is in a custom made wood, archival frame, that measures 11 1/2”x 13 1/2” x 1 1/4.” The finished work is framed in a “floating” technique that I prefer (as it shows off the edges of the paper), and is mounted on archival foam core that is covered with a white Damask cotton fabric with a light pattern upon it. There is approximately 2 1/2” of space around the artwork.

This work is an “Ontological Mooring” which was part of an an ongoing art practice about kinesthetic knowing that was begun in May of 2016. The term is what philosophers would refer to as the appreciation of and a response to what is real right here and now. In a world that is so often dissociated from the present, these works are a centering act of being in the moment.

Price includes shipping.

5"x7" Micron pen, collage, colored pencil, gouache & watercolor on paper. This original work of art is in a custom made, wood archival frame, that measures 11 1/2”x 13 1/2” x 1 1/4.” The finished work is framed in a “floating” technique that I prefer (as it shows off the edges of the paper), and is mounted on archival foam core that is covered with a white Damask cotton fabric with a light pattern upon it. There is approximately 2 1/2” of space around the artwork. The title of this work particularly was inspired by a line from a Dar Williams song.

This work is an “Ontological Mooring” which was part of an an ongoing art practice about kinesthetic knowing that was begun in May of 2016. The term is what philosophers would refer to as the appreciation of and a response to what is real right here and now. In a world that is so often dissociated from the present, these works are a centering act of being in the moment.